Miller still consistently bares his soul about his various struggles with drugs, depression and dealing with fame, it's just that this time around he's rapping about his demons in the past tense. Miller's artistic progression has also carried over to his lyrics. While Miller's rapping has steadily improved with each release he puts out, his newfound ability to tailor his flow to a large variety of beats allows him to make his biggest strides to-date. On GO: OD AM, Miller still spends plenty of time in his trippy cloud niche ("Clubhouse", "Time Flies", "Two Matches"), but also demonstrates an ability to rap over everything from trap bangers ("When in Rome", "Cut the Check") to piano-fueled jazz rap ("100 Grandkids", "Weekend") with equal conviction and precision. Miller only sounded truly comfortable rapping over psychedelic, cloud rap beats and every time he strayed from that sound, he sounded stilted and awkward. Since he overhauled his sound a couple of years ago, his flow has been fairly limited. The most noticeable improvement Miller shows on GO: OD AM is with his delivery and sharpness as an MC.
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Now that he's proved his legitimacy to his doubters, he's starting to unleash his full arsenal of talents on the world. Watching Movies with the Sound Off and his excellent 2014 mixtape Faces proved to the hip-hop community that he wasn't just another white rapper novelty act. GO: OD AM is essentially the coming-out party for Miller as a serious rapper.
Miller continues to push the boundaries of his sound on his third LP, GO: OD AM, and that wider scope make this the most impressive project the 23-year old Pittsburgh product has released in his brief career. Miller proceeded to shock the hip-hop world with his 2013 LP Watching Movies with the Sound Off, which saw him shed the easily digestible sound that made him famous and start making introspective hip-hop that was dominated by hazy, abstract production. and debut LP Blue Slide Park, which featured a breezy pop rap sound and launched a trio of frat party-friendly hits in "Party on Fifth Ave", "Donald Trump" and "Frick Park Market". Miller burst onto the scene in 2011 with the success of his mixtape K.I.D.S. The musical evolution of rapper Mac Miller has been fascinating to watch. The pairing lends the album a sense of naturalness that makes it an enjoyable and fun listen.Review Summary: Easy Mac with the cheesy raps no more. It’s evident from the album’s sense of ease that the two have grown comfortable with one another after working together for so many years. The album has a number of producers, from Tyler, the Creator to Christian Rich, but the majority is handled by Miller’s longtime collaborators at ID Labs. Whether it’s the sparse piano of “ROS” or the soulful sample on “Brand Name,” every beat feels purposeful, and each song flows comfortably into the next. Records), it feels as if he’s finally emerged as the artist he was always meant to be.įor all the talk of Mac’s growth, it’s the album’s understated but richly layered production that immediately stands out. But on GO:OD AM (his major-label debut after departing longtime home Rostrum Records for Warner Bros. His first attempt, Watching Movies With the Sound Off, was an important (if imperfect) step in the right direction. Once dismissed as a lightweight “frat rapper,” Mac Miller has spent the last several years trying to prove that his early success wasn’t a fluke.
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